) My Biases:However, if you’re shooting a project with a short turnaround time, you can’t go wrong with ProRes. Fact 1 – Apple ProRes – Low Compression = High Image Quality. Jim_Simon • LEGEND , May 03, 2017. However, there are six versions of ProRes, each of which vary in bit rate (and file size). Voici ma configuration : iMac Pro 2017 Processeur : 3 GHz Intel Xeon W 10 - 14211057According to Apple’s ProRes White Pater, ProRes Proxy intended for use in offline workflows that require low data rates but full-resolution video. right click on your Project Item "Proxy" media and select Proxy -> "Reconnect Full Resolution Media". Turn on suggestions. 1. Medium or even Low resolution proxies is fine) then you won't have to manually do any. Next setup Editor so you. When using lower res playback, and using intraframe media like ProRes, Cineform, and DNx, that media can be "reduced" in size for playback during decompression, typically without any real re-computing. This preset uses a frame size of 1024*540 (1. Apple ProRes 422 Proxy: An even more highly compressed codec than Apple ProRes 422 LT, intended for use in offline workflows that require low data rates but full‑resolution video. On Premiere Pro 14. com Choose QuickTime, and then either the ProRes Low Resolution Proxy or the ProRes Medium Resolution Proxy preset. 97 frames per second. Camera is recording 4 mono channels, and h264 mp4 proxies are with other audio layout. And when converting to proxy footages with HLG color space in QuickTime ProRes low resolution. I do not recommend using h. 264. Oh yeah, working with your media on an external SSD drive may also help. When I am trying to create a proxy there are no low resolution proxy presets available to choose. 使用PR建立Proxy代理剪辑4K影片与ME输出代理共计6条视频，包括：1 理解什么是Proxy代理剪辑、2 代理剪辑-复制并创建代理方式、3 代理剪辑-AME预设与PR预设等，UP主更多精彩视频，请关注UP账号。. It sounds like your source files are more compressed than both Cineform or Prores 422. The footage becomes bright and with an incorrect display of the color space. Also, its data rate is most likely at 45 Mbps at 1920x1080 and 29. com and provides three compression options HQ, MQ and LQ (High Quality, Medium Quality and Low. cancel. 264 to download, but if your drives are fast enough it'll be a much better. . 0 and 10 bit is 4. This also applies to Blackmagic RAW for example. Created an ingest preset, with a watermark, and the above preset. Is the resolution the same on the Resolve ProRes (PR) Proxy vs. If you can, try creating Prores 422 Proxy files instead of Cineform. As you can see, blocky. 264/H. It is designed to be used in high quality offline editing that needs low data rates but full-resolution video. If I select X. " That applies to all of ProRes and is not. At t. I don't know if I've been clear enough, I apologize for my poor English. Note : if your the proxy has been initially attached to the project item and the original media has been made offline, you can just use "Relink" instead of "Reconnect Full Resolution Media". Using Proxy for quick low quality exports. Good to note that I do not have Final Cut Pro installed and I don't have motion. Apple ProRes 422 LT's target data rate is approximately 102 Mbps at 1920 x 1080 and 29. Apple ProRes 422 (Proxy) is intended for draft-mode or preview uses where low dataOpen Adobe Media Encoder and click the plus icon in the top left corner. NOTE: The different presets for low, medium, and high resolution are intended for video with different frame sizes. Proxy Workflow is a process where lower resolution files are used as substitutes during the editing process, making it easier for older computers to handle. Both inside and outside of Premiere. See full list on support. If you create proxies in a too low resolution, there can be issues with color grading ; ConclusionBonjour à tous, J'ai un gros problème et j'espere que quelqu'un pourra m'aider. The target data rate of Apple ProRes 422 Proxy is approximately 45. The Cineform proxies are actually smaller than the 4K - UHD footage. H. Ingest and Proxy Workflow in Adobe Premiere Pro Last updated on Oct 26, 2023 Learn how the ingest and proxy workflow works in Premiere Pro, and how to. Codecs include: DV; HDV; AVCHD;. It follows the settings for bit rate. 264 totally falling apart. Posts: 28137. 2020 or 2100 (The HDR variant of 2020). Just as well, if I try creating basic Low Res proxies using Premiere's default "ProRes Low Resolution Proxy" setting, the footage is completely squashed/scrambled, even when I play the clips outside of Premiere. Check Transcode files to Destination; Format: select Quicktime; Preset: select Encode. It is because of audio channel layout. For you I'd say to go with the ProRes proxy codec at 720. 0, right clicking a video file in the bin and selecting "Make Proxy" now shows "ProRes Low/Medium/High Resolution" but no longer shows the resolution of each as in earlier versions of Premiere. . ago. Joined: Fri Dec 23, 2016 1:47 am. 4. 26x and MPEG standards, the ProRes family of codecs use. Doing it this way will attach the proxies to the full resolution media and with a switch of a button you can alternate between the two, this makes it easy because when rendering Premiere will automatically export out the source media. 265 at a comparable bitrate. the other way to reduce file size is to reduce the pixel dimensions. 97 fps and "Create Proxy", then it will create a ProRes Low Resolution Proxy at 29. It’s important to note that each ProRes format supports all of the current frame sizes such as SD, HD. Step 3: Next to “ Proxy Generation Location ,” there is a path to the folder that stores the proxy files for this project. For Preset, select ProRes Low Resolution Proxy; Check the Add Watermark box; Leave the destination as Next To Original Media, in prox folder; Press OK; Premiere will open media encoder and begin rendering proxies for all of your video clips. So I have a 2-year old MBP and am using to Premiere to eidit a short. It is also full 422. I tried several ways of creating proxies. Upvote Translate. Very basically, HD is Rec 709. It's been a while, but now I'm digging deeply into Proxy Worlflows for an article, and the only reason I can think of is that you're trying to make H. We basically use the XDCAM HD422 1080p25 preset and only change the custom resolution at the top if needed, like in the image above. I use LT for exports even for broadcast and feature documentary work. Compared to the background and theoretical knowledge, you may. Apple ProRes 422 Proxy's target data rate is approximately 45 Mbps at 1920 x. Adobe Support Community. 3. File. Proxies can be shared with clients or be generated in camera or with other software (RED cameras come to mind). Apple ProRes 422 Proxy: An even more highly compressed codec than Apple ProRes 422 LT, intended for use in offline workflows that require low data rates but full‑resolution video. In that case, you can create your own proxy file presets. I would test with a more performant proxy codec by using ProRes LT or Proxy from the get go. It sounds like your source files are more compressed than both Cineform or Prores 422. Upvote Translate. you have access to a. Edit: In my case I have a full SSD with Arri ProRes 4444 files and didn’t want to spend time and disc space on creating even more prores files, so Timeline. . Create proxy media: This option creates video proxy files. 264 or other compressed codecs. Performance Mode & other playback tweaks. mov file directly it works perfect with and without lumetri. Try it. If you’re on Premiere, you can do half-res (Low Resolution preset) ProRes Proxy files and keep the same raster size, or go down to 360p if you want with a custom preset. All ProRes proxy clips need TapeID’s attached to them that will remain consistent throughout. Once you have learned How to create it and. the other way to reduce file size is to reduce the pixel dimensions. “Proxy Handling” provides you options to select “prefer proxies, disable proxies and prefer camera originals”. And it's a range because of its variable bit rate, so that's the. It’s a family of six quality standards, from the space-saving 'ProRes 422 Proxy' right up to the ultra-high-quality 'ProRes 4444 XQ'. Alpha. Avid DNxHD 175x 10-bit. After I import the footage, if I drop it into the sequence, there's no - 13084767. ProRes will require the use of a CFexpress Type B Card. On Premiere Pro 14. What is the resolution and bitrate of low, medium and high resolution?The best format is DNxHR (Windows) and Prores (Mac). If you make the proxies in premiere (Right click your footage bin -> Proxies -> Make Proxies. You might even try a test with 4K ProRes Proxy so that your. Head there and click Create Proxies. UHD is Rec. 264, which is smaller file size but as it's long-GOP it forces the CPU/RAM to work a LOT harder for every frame. It seems that Premiere treats a transcoded proxy, created from the internal ingest section, as a non mult. This generally isn’t a problem, but it takes some getting used to if. As you get more involved, you'll discover things like proxies (low res but large size temporary files usually in a format like ProRes which help your computer play them back more smoothly if you're working with h264 from your camera), and things like smart rendering where you fiddle with the sequence render settings to match the final output. In some instances Premiere will use the full resolution footage instead of the proxies. I found out about the proxy feature after I began editing and wanted to test it. When I transcode my footage to ProRes Proxy at 1920x1080, keeping source aspect ratio & frame rate, my proxies get squashed vertically. X-H2 supports Apple ProRes 422 HQ, ProRes 422, and ProRes 422 LT. This page covers all properties specific to the Movie Recorder type. 25% of 4K, 33. Plays fine in any player. I've been reading Neil's posts for several years, and I've not known him to be sarcastic, neither do I see sarcasm in this thread. Please use proxies other than Medium and struggle with those black bars while editing. Know Your Formats. ProRes 4444 XQ DNxHR 444 DNxHR HQ DNxHR HQX DNxHR SQ CineForm 10bit CineForm 12bit All three of these codec families are industry standards, but ProRes is certainly the most widely used across camera and external recorder manufacturers. Step 1: Go to “ File ” and select “ Project Settings ”. But when I edit using the proxies, I still often get lagging and choppy playing in Premiere, making it really frustrating to edit at times. In the Preset Browser window, click the + button and select “Create Encoding Preset”. You can find dozens of resources concerning ProRes data rates, but most of. . There are a total of six ProRes formats. In simple words, Apple ProRes codec is designed for post-production while H. H. ProRes 422 Proxy is also available when recording ProRes *, making it easier to editing 8K video and. There are subtle differences between the new feature and the existing “Timeline Proxy Resolution” (previously known as Proxy Mode) feature. Thank you for your reply. If you have the space for it though, more often than not the time spent transcoding is made up through ease of performance later. If you are after smaller file sizes for your editing workflow sometimes low resolution h. Resolution of ProRes Low/Medium/High Resolution Proxies. If you had noticed that only ProRes Medium is 16x9 and other two are not 16x9, you wouldn’t back what you just wrote here. 1st thing I would do is start a new project, put your very long one hour clip in, - 11674048BTW: Check the size of the main folder and proxy. I wouldn't do "ProRes Low Resolution Proxy", I'd use the higher quality Prores422 or ProresLT, that way when you export, it'll use the clips on the timeline & not your . 6% of UHD source media; Medium resolution: 1280 x 720 — 32. Just as well, if I try creating basic Low Res proxies using Premiere's default "ProRes Low Resolution Proxy" setting, the footage is completely squashed/scrambled, even when I play the clips outside of Premiere. Auto-suggest helps you quickly narrow down your search results by suggesting possible matches as you type. There are a total of six ProRes formats. Auto-suggest helps you quickly narrow down your search results by suggesting possible matches as you type. The ProRes RAW HQ is 3-to-1 compression, and the ProRes RAW, the base one, is 5-to-1. Thanks for the humongous help!! Alternatively, the difference between 4K h. H. Choose Quicktime as the Format and ProRes Low Resolution (Proxy) as the preset. The human eye cares mainly about contrast and seldom notices low color resolution, but the greenscreen extraction process relies primarily on color values. That brings us to the iPhone 13 Pro and its 10-bit 4:2:2 ProRes HQ codec. , 1/4, 1/8 or 1/16th of the original playback resolution might save you a lot of frustration. If you had noticed that only ProRes Medium is 16x9 and other two are not 16x9, you wouldn’t back what you just wrote here. With RAW kind of footages, such as Blackmagic RAW, RED R3DRAW, Prores RAW, ARRI RAW, Canon RAW,. 265 to the point where it does look worse than a ProRes Proxy. if the proxy media works better, then no, the purpose hasn't been defeated. I had the same problem, albeit with Sony F55 and F7 footage, which was solved by using the Prores Proxy preset. 264 and low rez ProRes Proxy is bigger, but the file sizes are still pretty big, just a little more manageable and much easier to edit. The sending process will be quicker. There are a plethora of free GUIs for ffmpeg for those unfamiliar with the command line. I think it's in support so that they fix it in the next updates. ProRes 422 LT is a suitable project for your storage space concern. How can you tell the difference between a Pokemon card and a proxy? The color won't look the same as what you're used to, and that will be your first and most obvious sign that something isn't right. Upvote. . Use. On Premiere Pro 14. With FCP X 10. But, first I will recommend you choose Low. ProRes Proxy. Translate. IF you are wanting to export from the proxies, then the AR is quite important. Change the format to Quicktime, Video Codec to ProRes 422 (Proxy) Confirm the resolution/framerate is correct or click Match Source. Resolution of ProRes Low/Medium/High Resolution Proxies. Close this panel once it's done. 264. -using ProRes Low Resolution Proxys, without them its even worse-playback resolution down to 1/8-both source and proxy files are stored on the internal ssd-pre-rendered the timeline (green status bar) --> still lagging like hell-Premiere is up to date 15. m4v or . However, I didn't really find a one-way solution to my specific question. Prores LT is a good option if you are on a MacTo see frame size definitions and other proxy format options, create proxies on import using Premiere’s Media Browser. I've used proxies extensively but not for a couple of months. After several attemtps creating different proxies with a reduced resolution, I circumvented the Adobe proxy method and just exported the same media using ProRes 422 Proxy and kept the resolution intact. I think it's in support so. That means we can choose a preset that’s optimized for high editing speeds and low disk space. If you’re on Premiere, you can do half-res (Low Resolution preset) ProRes Proxy files and keep the same raster size, or go down to 360p if you want with a custom preset. Open Adobe Media Encoder. I was handed over a Premiere Production with what seems like 1080P Prores 442LT media and then on the drive elsewhere all full resolution media, 4K. To the eye it looks like a low contrast (flat), slightly desaturated image. Even if going with proxies, a 20TB Seagate standard drive can sustain a read speed of 285 MB/s until it gets really full. Offline/Online method: Make proxies in for example Davinci Resolve or Adobe Media Encoder or Shutter Encoder – again in an edit friendly codec like ProRes & generally at lower resolution than the original camera files. ProRes 422 Proxy. Apple ProRes 422 Proxy: An even more highly compressed codec than Apple ProRes 422 LT, intended for use in offline workflows that require low data rates but full‑resolution video. The footage becomes bright and with an incorrect display of the color space. for use in post-production that supports video resolution up to 8K. 97 fps. It is a rule of thumb to use a proxy file with dimensions that are half the size of your original media size. Depending on the number of clips you have and the speed of your computer this could take a while. You’ve got your usual codec options. Auto-suggest helps you quickly narrow down your search results by suggesting possible matches as you type. Having to keep - 8375094Create a new Encoding preset called Encode ProRes Proxy. On Premiere Pro 14. 264 Low Resolution Proxy h. The tl;dr on this is that ProRes comes in a few flavors, from lowest quality to highest: 422 Proxy. When it comes to multicam tracks, and there is a lot of footage to convert, I don't want to waste time creating proxi. If you have the space for it though, more often than not the time spent transcoding is made up through ease of performance later. As such ProRes is available in the following modes, from lowest quality to highest: ProRes 422 Proxy; ProRes 422 LT. Interpret footage settings are all good, following Square 1. The metadata display columns show that the proxies are attached, and liststhe correct proxy filename and filepath. Now let's get a few things right first: the GH5 can record 10bit 422 150Mbit LongGOP h264. Back in Premiere. Proxies are generated and attached. Choose Create Proxies to open a dialog with options for destination and format. VincibleAndy • 7 yr. Sounds like a good time to do a couple tests. Thefeno • 1 yr. Apple ProRes is a high quality, "visually lossless" lossy video compression format developed by Apple Inc. Reply. This is why you want to transcode to an avid native resolution or even a pro res resolution within Avid. Being: UHD+4K MXF files being the full resolution source files, from there ProRes low res proxies were created. 264, H. 422 Proxy does exactly whay it says on the tin: it is a proxy format. Proxy files increase editing performance and take up considerably less storage space than optimized files. The purpose of proxy is to make editing easier. Internal Recording. ProRes 422 Proxy or LT would typically be a reduction in quality. The Cineform proxies are actually smaller than the 4K - UHD footage. Most editors prefer to use Cineform, DNxHD/HR, or ProRes formats for their proxy files in Premiere Pro. 264 Low Resolution Proxy then Preview I-Frame Only MPEG? If I choose the Prores Low Resolution Proxy, what preview should I choose? Extra question: is it a good idea to first transcode the mp4 to Prores 422 and then make a Prores Low Resolution Proxy from that (takes 6x more space) or to make a Prores Low Resolution Proxy. ago. Auto-suggest helps you quickly narrow down your search results by suggesting possible matches as you type. I stand corrected but would be an interesting performance comparison between prores proxy and h264 proxies. 4. Differences between 4:4:4 and 4:2:2Personally i like using the prores low resolution proxy. If you do not use SCRATCH for grading, you have to transcde the KRW master files into more popular codec like ProRes. Many users run with ProRes proxy as it does well enough visually and plays back great. 422 and 422 HQ are the go tos for transcoding. In 2019, ALEXA Mini LF introduced a new method for Apple ProRes recording: sound, images, and metadata are no longer wrapped. And there, ProRes as an intraframe codec will play back much smoother than an H. This will produce a file that will play smoothly on just about. but I doubt you could tell much difference. ProRes vs H. Apple ProRes 422 LT's target data rate is approximately 102 Mbps at 1920 x 1080 and 29. Apple ProRes RAW also requires free activation. Adobe Support Community. On Windows, the QuickTime option is Cineform. Hello! Thank you for great new feature - proxies! The idea is very good. Hi, first of all, thank you for your reply! No, I'm not interested in having HLG proxies. Step 1: Download and launch Filmic Pro. The following formats are either legitimate proxy formats or file formats that can be used as proxies: Quicktime (R3D) - Proxies used in Red Cameras; a Quicktime (MOV) file with an . 89. ProRes is resolution independent which means it can accommodate. To create proxies in Premiere you can simply select all your footage in the bin, right-click, and then hit Proxy > Create Proxies. -If you have a newer Mac, Resolve Lite can make nice edit proxies for you at any resolution short of 4K, for free. Try the LT. 1 Build 6-SSD drive is only half fullNOTICE: The University Wiki Service requires MFA to authenticate at this time, please take a moment to review this change here: MFA Enforcement ChangesMoody Service Manager Ticket System; Moody Facilities Wiki; UT Direct; UT ITS Service Now Ticket System; UT MarketMake sure the proxies are actually enabled ( Step 3 in this guide) - common trap for new players! You also want to ensure you're using an interframe format for your proxies rather than h. Optimized Media is the equivalent of the render cache, and is more designed as a temp file. 8 (Mountain Lion) ouversion ultérieure. I'd not thought of that specific thing as I - 11499177Lots of drama here. providing the full range of codecs from Apple ProRes 422 Proxy to Apple ProRes 4444 and later 4444 XQ. The actual I-frame encoding is basically done the same way - DCT. I'm having a problem when I proxy footage from Premiere Pro. Adobe Support Community. You can find dozens of resources concerning ProRes data rates, but most of. As with optimized media, using DNxHR SQ codec on a Windows client or ProRes 422 LT on a Mac is recommended. "Apple の各 ProRes フォーマットの違い" . In Final Cut Pro, proxy media is converted to Apple’s ProRes 422 Proxy format. R3D codec; Quicktime (. 0, right clicking a video file in the bin and selecting "Make Proxy" now shows "ProRes Low/Medium/High Resolution" but no longer shows the resolution of each as in earlier versions of Premiere. Apple ProRes 422 LT, intended for use in offline workflows that require low data rates but full-resolution video. The setting for ProRes resolution is set to 2K (17:9) or HD, and you cannot change it. What is the resolution and bitrate of low, medium and high resolution? Right-click and you will see a Proxy option. Proxy files will always be easier. 264 export/transcode in Premiere/AME does not support 4 mono. After I import the footage, if I drop it into the sequence, there's no problems (as far as missing plugins go), but I like to/have to proxy clips for smoother playback. Auto-suggest helps you quickly narrow down your search results by suggesting possible matches as you type. 0, right clicking a video file in the bin and selecting "Make Proxy" now shows "ProRes Low/Medium/High Resolution" but no longer shows the resolution of each as in earlier versions of Premiere. On a side note, small files are often difficult to edit because they're so heavily compressed (small). Now that Adobe is making ProRes 422 LT the default, Adobe should make a video talking about "smart rendering", which alot of people do not know exists. Record proxies in camera using built-in settings. 264 is not really a good choice for proxies - you really want to be using an intraframe codec or you're not gonna get the full benifits. the FCP PR Proxy? Check out MediaInfo to confirm there's nothing else different between the two. What is the resolution and bitrate of low, medium and high resolution?Its also not too big in file size. But there is still something that need to be done. Toggle on the switch for "Apple ProRes. 4444 is almost always overkill unless you need. 264 only supports stereo and 5. ProRes 4K is the version that has the 4K resolution,. While using Proxy try using more efficient codecs like Apple ProRes instead of h. Apple ProRes 422 Proxy is an even more highly compressed codec than Apple ProRes 422 LT, intended for use in offline workflows that require low data rates but full-resolution video. I've tried reducing the resolution on playback, when paused, I've copied the footage off the ext drive and on to the SSD drive but have had no success in reducing the latency after the edit. 265 videos in frame rates as fast as 4K/120P and FHD/ 240p. Depending on the number of clips you have and the speed of your computer this could take a while. On low-end devices, choosing a low-resolution and low-quality file type. 0, right clicking a video file in the bin and selecting "Make Proxy" now shows "ProRes Low/Medium/High Resolution" but no longer shows the resolution of each as in earlier versions of Premiere. It can shoot ProRes 422 Lt, 422, and 422 HQ internally. I leave frame rate the same, and only change the resolution and bitrate. Please embed your screenshot. Apple ProRes 422 Proxy: An even more highly compressed codec than Apple ProRes 422 LT, intended for use in offline workflows that require low data rates but Full HD video. Proxy files can be stored in any location available to. Alpha. 97 fps. In my experience Prores tends to perform better. Try ProRes. Terence Curren of Burbank, CA based Alpha Dogs aptly pointed out a flaw in that I was comparing an 8-bit format to ProRes HQ and GoPro Cineform which are 10-bit formats. So if you've got 6-8K clips, and set 1/4 res playback, makes it much easier on the CPU and subsystems. Winner: H. The codes was XAVC-L. Both codec families can be wrapped inside MXF or MOV containers. There is a good 5-7 second lag after the clip has been deleted. Many users run with ProRes proxy as it does well enough visually and plays back great. My source is 4k prores. ) that the files take up more space. If you choose a preset, let’s say 1024×540 Apple ProRes 422 (Proxy), you can look in the Summary section below for suggestions of compatible source frame sizes. This will create a seperate folder containing the proxy files next to your original media location. In the dialogue box, set your custom options and hit OK. If you are after smaller file sizes for your editing workflow sometimes low resolution h. The H. Making proxies in Premiere – in this case the ProRes Medium preset creates a 720p file with the ProRes 422 Proxy codec. Auto-suggest helps you quickly narrow down your search results by suggesting possible matches as you type. H. What is the resolution and bitrate of low, medium and high resolution?We created proxies by right clicking on the clips in the project pane, Quicktime, ProRes low resolution proxy. With FCP X 10. 265, LongGOP or All-I, 4:2:0 or 4:2:2, and 8 bit or 10 bit. Then we have the brand spanking new ProRes 4444 XQ, which has all of the above with this gem: Target data rate of approximately 500 Mbps for 4:4:4 sources at 1920x1080 and 29. Apple ProRes 422 Proxy is a higher-compression version of Apple ProRes 422 LT, designed for offline operations requiring low transfer rates but full-resolution video. . Apple ProRes 422 Proxy is an even more highly compressed codec than Apple ProRes 422 LT, intended for use in offline workflows that require low data rates but full-resolution video. 4. Offline/Online method: Make proxies in for example Davinci Resolve or Adobe Media Encoder or Shutter Encoder – again in an edit friendly codec like ProRes & generally at lower resolution than the original camera files. 9 and later versions, we can now choose proxy files that are 1/2, 1/4 and 1/8 the resolution of the master file using either H. You’ve got your usual codec options. However, these will bog down your system faster than ProRes proxy. I always stash these in a folder called Low. . The iMac Pro has a 3 GHz 10-Core Intel Xeon W CPU, Radeon Pro Vegas 8 GB GPU and 64 GB 2666 MHz DDR RAM. ProRes Proxy will, generally speaking, look worse than an H. Apple ProRes 422 Proxy: An even more highly compressed codec than Apple ProRes 422 LT, intended for use in offline workflows that require low data rates but Full HD video. How to capture ProRes video on iPhone 13 Pro with Filmic Pro. Making proxies in Premiere – in this case the ProRes Medium preset creates a 720p file with the ProRes 422 Proxy codec. Navigate to Playback > Timeline Proxy Resolution and choose the desired setting. Use. ProRes Transcoding by SCRATCH. So we’ve scoured the Internet and brought them all into a single page. Proxies are generated and attached. low data rates but full-resolution Virtually never Virtually never Virtually rare Rare Subtle for high-detail images 4444 422 HQ 422 422 LT 422 Proxy Description The Encoding. Apple ProRes 4444: Provides the. This codec maintains HD data rates below 36 Mbps, yet like its higher-rate Apple ProRes 422 siblings, it supports full-frame, 10-bit, 4:2:2 video. I decided to keep it next ot the original media inside of a folder. ProRes supports 10-bit so this won't matter if your footage is 10 bit.